With strings guiding the ballad, Kehlani’s effort is a forgettable one, especially if you’re accustomed to ballads with a piano backing it whether it was Sampha, Solange, or even Sevyn Streeter for that matter. With ‘Hold Me By The Heart’, Kehlani explores balladry with limited success.
What would an RnB album be without a ballad? Incomplete. Pop & Oak, switch it up with In My Feelings, letting Kehlani switch between vocal runs and rap at a pace that make her take to the style like a natural. On a happy go lucky track like ‘Get Like’, featuring production from Canada’s Boi-1da, the track experiments with vocal styles that Kehlani is not familiar with. The sound is linear but starts exploring new territories in the latter half. For an album with almost no features, Kehlani does a good job, with the producers she’s working with. Produced by the Picard Brothers, ‘Too Much’ is 90s RnB switched up to include the sexually suggestive lyrics of the 2000s, drawing vocal inspiration from the likes of R Kelly and Bobby V, until Timbaland drops the beat and Kehlani raps her way through the bridge. While the theme tries to put a three dimensional Kehlani on display with this record, they do little with the way the tracklist is laid out. From a track on promiscuous sex to unspoken love immediately after it on ‘Escape’, coherence isn’t the album’s strength. Fuckboys get their due on this track and Kehlani switches gender roles playing a vocal femme fatale who’s out there to play the game and drop men who get caught in their feelings at the drop of a hat. Subtle savagery makes its way on ‘Do U Dirty’, a a collaborative highlight between the Featherstones and Kehlani. A stand out, Pop & Oak, interject the track with piano solos and vocal runs that add depth to the artist who rose to fame for it. On Advice, choral arrangements, solos and synced claps make way for a song on learning from her mistakes. Everything is Yours is standard RnB fare with Kehlani’s rap singing technique switching up the second verse, but forgettable to say the least as the song ends. On ‘Not Used To It’, an autobiographical track, Kehlani links up with Pop & Oak, to discuss family strife, her upbringing in Oakland, toxic relationships with men and how she’s dealing with it all as a kid who grew up in the spotlight, with less than idyllic situations surrounding her. Referring to her much publicized breakdowns involving men from earlier last year, Kehlani’s experience has made taking care of herself a priority on Personal. On ‘Personal’, the singer switches her flow to include her rap-singing technique made popular in her earlier work like The Way, off her mixtape where she held her own against Chance the Rapper. Collaborating with the female songwriting duo, Nova Wav, ‘CRZY’ mixes Kehlani’s trap influences with RnB and the accompanying video features the singer in choreography intended to show a more street style to RnB but, doesn’t do much to improve the image. The savage in Kehlani debuts after the sweet and sexy namesakes with the sixth track, ‘CRZY’. The track, short and simple, is one of the highlights of the albums in terms of it’s production. Produced by Charlie Heat, there’s a Spanish influence on the strings, but that quickly gives way to an RnB track on love that is forbidden but pursued nonetheless.
#Sweet sexy savage kehlani album download full#
The vocal textures on the track are pieced together really well, but feel muted sometimes when you’d expect a full throated voice, especially in the vocal runs normally expected from singers in the genre.Īkon’s ‘Don’t Matter’ is interpolated on ‘Undercover’, a track with strings and loops played over 3 minutes. They pop up again on ‘Piece Of Mind’, a track that relies on beats, harmonies and a message of optimism and self love. Lyrically the song isn’t much to write about, but the arrangement is tight. You can hear the harmonies from the 90s on ‘Distraction’. Pop & Oak, Philadelphia based producers feature a lot on the album know their 90s RnB really well. The opening track ‘Keep On’ features work with RnB songwriter August Rigo, and while simple, conjours vibes from the 70s, the vocal styling of Aaliyah and a piano and saxophone sequence that cuts through the content of the track. Now she’s no Aaliyah, TLC, Beyoncé or Rihanna, but she still manages to hold her own, especially given that at 21, she’s giving us killer vocals even if the lyrics could be worked on. With spoken work by Reyna Biddy opening her new album, Kehlani reminds the listeners of what she’s been through and what to expect of the record. Letting go of her pop roots, the 21-year-old singer embraces RnB with open arms, letting the transition of the genre through the decades pop up on the 19 tracks on SweetSexySavage. Kehlani’s musical career so far can be aptly described in two words – eventful and noteworthy.